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Head of a Salmon by Totoya Hokkei — VisualArtsDB

Head of a Salmon

Head of a Salmon

1810–1830

Medium: Woodblock print (surimono); ink and color on paper
Dimensions: 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm)
Genre: Prints
Museum: Metropolitan Museum of Art, New York, NY

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More by Totoya Hokkei

Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"

Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"

Totoya Hokkei, 1820

Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover

Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover

Totoya Hokkei, 1800

Tray with Noshi Paper (Noshi Indicates a Present)

Tray with Noshi Paper (Noshi Indicates a Present)

Totoya Hokkei, 1816

Strong man at pillar

Strong man at pillar

Totoya Hokkei, 1780

The Sumida River in Musashi Province (Musashi Sumidagawa), from the series "Famous Places in the Provinces (Shokoku meisho)"

The Sumida River in Musashi Province (Musashi Sumidagawa), from the series "Famous Places in the Provinces (Shokoku meisho)"

Totoya Hokkei, 1829

Fans decorated with motifs of the three auspicious dreams of the New Year

Fans decorated with motifs of the three auspicious dreams of the New Year

Totoya Hokkei, 1816

Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off

Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off

Totoya Hokkei, 1800

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony

Totoya Hokkei, 1800

The Noh play, "Takasago"

The Noh play, "Takasago"

Totoya Hokkei, 1815

Sumida River

Sumida River

Totoya Hokkei, 1832

Children Playing

Children Playing

Totoya Hokkei, 1801

Yamauba in the Ashigawa Mountains Accompanied by Flying Nightingale (Uguisu) Men, the second piece from the diptych of "Spring Mountains (Haru no yama-mata)"

Yamauba in the Ashigawa Mountains Accompanied by Flying Nightingale (Uguisu) Men, the second piece from the diptych of "Spring Mountains (Haru no yama-mata)"

Totoya Hokkei, 1825