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Bridge post and crescent moon by Totoya Hokkei — VisualArtsDB

Bridge post and crescent moon

Bridge post and crescent moon

1780–1850

Medium: Color woodblock print; shikishiban, surimono
Dimensions: 20.8 × 18.7 cm (8 1/4 × 7 3/8 in.)
Genre: woodblock print
Museum: Art Institute of Chicago

Styles

Japanese (culture or style)

Tags

printasian artJapanese (culture or style)woodblock print

More by Totoya Hokkei

Wine Goblet and Lacquer Food Box with New Year’s Meal

Wine Goblet and Lacquer Food Box with New Year’s Meal

Totoya Hokkei, 1811

Lady Seated by a Tokonoma Alcove

Lady Seated by a Tokonoma Alcove

Totoya Hokkei, 1829

Willow Tea (Yanagicha), from the series "A Series of Willows (Yanagi bantsuzuki)"

Willow Tea (Yanagicha), from the series "A Series of Willows (Yanagi bantsuzuki)"

Totoya Hokkei, 1823

Court lady sitting beside hanging incense burner

Court lady sitting beside hanging incense burner

Totoya Hokkei, 1820

Sumida River

Sumida River

Totoya Hokkei, 1832

Shiei (?) on His Carp

Shiei (?) on His Carp

Totoya Hokkei, 1780

Morning Worship of Shinto Ceremony

Morning Worship of Shinto Ceremony

Totoya Hokkei, 1801

Nobleman playing flute, from the series "Essays in Idleness (Tsurezuregusa)"

Nobleman playing flute, from the series "Essays in Idleness (Tsurezuregusa)"

Totoya Hokkei, 1830

Awabi (Ear-Shell) and Various Shells

Awabi (Ear-Shell) and Various Shells

Totoya Hokkei, 1800

Vase and Kitchen Knife

Vase and Kitchen Knife

Totoya Hokkei, 1816

Woman Playing with Pekingese Dog, or The Elegance and Freedom of Script (So), from the series "Three Works of Three Aesthetics (San tai san ban shoku)"

Woman Playing with Pekingese Dog, or The Elegance and Freedom of Script (So), from the series "Three Works of Three Aesthetics (San tai san ban shoku)"

Totoya Hokkei, 1825

Woman and attendant at entrance gate of Enoshima

Woman and attendant at entrance gate of Enoshima

Totoya Hokkei, 1810