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Women in a Pleasure Boat on the Sumida River by Chôbunsai Eishi — VisualArtsDB

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Women in a Pleasure Boat on the Sumida River

Women in a Pleasure Boat on the Sumida River

Women in a Pleasure Boat on the Sumida River

Chôbunsai Eishi

1790–1799

Medium: woodblock print from a triptych; ink and color on paper
Dimensions: Sheet: 38.8 x 25.8 cm (15 1/4 x 10 3/16 in.)
Genre: Print
Museum: Cleveland Museum of Art

Styles

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Japan, Edo period (1615–1868)

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Parody of The Book of Joruri

Parody of The Book of Joruri

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Courtesan District of Edo

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Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki)

Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki)

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The Matsukaze Chapter of the Tale of Genji (from the series The Tale of Genji in Elegant Modern Dress)

The Matsukaze Chapter of the Tale of Genji (from the series The Tale of Genji in Elegant Modern Dress)

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The Oiran Segawa of Matsubaya (the House of Pine)

The Oiran Segawa of Matsubaya (the House of Pine)

Chôbunsai Eishi, 1778

Narihira, from the series "Six Immortal Poets (Rokkasen)"

Narihira, from the series "Six Immortal Poets (Rokkasen)"

Chôbunsai Eishi, 1784

Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)"

Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)"

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The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Chôbunsai Eishi, 1756

Women Viewing Scroll Paintings of the Gods of Good Fortune

Women Viewing Scroll Paintings of the Gods of Good Fortune

Chôbunsai Eishi, 1775

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano

Chôbunsai Eishi

Thirty-Six Poets

Thirty-Six Poets

Chôbunsai Eishi, 1785