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The Gate of St. Sebastian, plate seventeen from A Select Collection of Views and Ruins in Rome and its Vicinity by James Merigot — VisualArtsDB
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The Gate of St. Sebastian, plate seventeen from A Select Collection of Views and Ruins in Rome and its Vicinity
The Gate of St. Sebastian, plate seventeen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot
1796
Medium
Hand-colored aquatint on paper
Dimensions
Sheet: 44.8 × 33 cm (17 11/16 × 13 in.)
Genre
Aquatint
Museum
Art Institute of Chicago
Tags
aquatint
print
prints and drawing
paper (fiber product)
More by James Merigot
Arch of Pantani, plate thirty-seven from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1997
The Temple of Peace, plate nine from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Janus's Arch, plate twenty from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Column of Trajan, plate twenty-one from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Title Page, from A select collection of views and ruins in Rome and its vicinity
James Merigot, 1796
Tomb of Nero, plate 7 from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Temple of Vesta, plate nineteen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
The Coliseum, plate fifteen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Grotto of the Sirens, plate thirty from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Temple of Minerva Medica, plate twenty-five from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Church of St. Andrew, plate eighteen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
The Great Cascatella at Tivoli, plate thirteen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798