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The Great Cascatella at Tivoli, plate thirteen from A Select Collection of Views and Ruins in Rome and its Vicinity by James Merigot — VisualArtsDB
The Great Cascatella at Tivoli, plate thirteen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot
1798
Medium
Hand-colored aquatint on paper
Dimensions
Sheet: 44.8 × 33 cm (17 11/16 × 13 in.)
Genre
aquatint
Museum
Art Institute of Chicago
Tags
aquatint
print
prints and drawing
paper (fiber product)
More by James Merigot
Title Page, from A select collection of views and ruins in Rome and its vicinity
James Merigot, 1796
Tomb of Nero, plate 7 from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
St. Agnes's Church, plate eight from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Stables of Meccena's Villa, plate eleven from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Temple of Vesta, plate nineteen from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Temple of Minerva Medica, plate twenty-five from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Temple of the God Rediculus, plate five from A Select Collection of Views and Ruins in Rome and its Vicinity Temple of the God Rediculus, plate five from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
The Temple of Peace, plate nine from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1796
Bridge of Varus, plate twenty-eight from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
Tower of Pignattara, plate twenty-two from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1798
The Arch of Dolabella, plate thirty-five from the Ruins from the Rome
James Merigot, 1797
Temple of Antoninus and Faustina, plate thirty-six from A Select Collection of Views and Ruins in Rome and its Vicinity
James Merigot, 1797