Minneapolis Institute of Art

Minneapolis, United States

56,782 artworks

No.6 Totsuka

Utagawa Hiroshige; Publisher: Maruya Seijirō, 1847

No.35 Yoshida

Utagawa Hiroshige; Publisher: Maruya Seijirō, 1847

Study of Antique Ruins

Louis-Georges Brillouin, 1847

Papa contemplant l'image de son image. (Les Bons Bourgeois No. 40), from Le Charivari

Honoré Daumier, 1847

Between dips

Honoré Daumier, 1847

(Old man and a Young Womam from an Unidentified Kabuki Play)

Utagawa Kuniyoshi, 1847

No.51 Ishibe

Utagawa Hiroshige; Publisher: Tsutaya Kichizō, 1847

No.12 Mishima

Utagawa Hiroshige; Publisher: Maruya Seijirō, 1847

No.43: Kuwana

Utagawa Hiroshige; Publisher: Maruya Seijirō, 1847

Fearful quarrels, and brutal violence, are the natural consequences of the frequent use of the bottle.

London George Cruikshank; Publisher: Frederick Arnold, 1847

The bottle is brought out for the first time. The husband induces his wife just to take a drop.

London George Cruikshank; Publisher: Frederick Arnold, 1847

Totsuka

Utagawa Hiroshige; Publisher: Fujiokaya Keijirō, 1847

Battle at the Bottom of the Sea off Daimotsu Beach

Utagawa Kuniyoshi; Publisher: Fujiokaya Keijirō, 1847

No.35 Goyu

Utagawa Hiroshige; Publisher: Tsutaya Kichizō, 1847

Act 5

Utagawa Yoshitora; Publisher: Izumiya Ichibei, 1847

Fashionable Crowd of the New Year's Day

Utagawa Kuniyoshi; Publisher: Ibaya Senzaburō, 1847

Dawn on the Nihonbashi Bridge

Artist: Utagawa Hiroshige; Publisher: Tsutaya Kichizō, 1847

No.47 Seki

Utagawa Hiroshige; Publisher: Tsutaya Kichizō, 1847

Cheever's Mill on the St. Croix River

Henry Lewis, 1847

Paperweight

Baccarat Glass Works, 1847

No.39 Okazaki

Utagawa Hiroshige; Publisher: Maruya Seijirō, 1847

Position réputée la plus commode pour avoir un joli portrait au Daguerréotype. (Les Bons Bourgeois No. 49), from Le Charivari

Honoré Daumier, 1847

No.19 Hamamatsu

Utagawa Hiroshige; Publisher: Tsutaya Kichizō, 1847

No.19 Ejiri

Utagawa Hiroshige; Publisher: Tsutaya Kichizō, 1847