Illustrated book

28,775 artworks

Folio 37 from Mirskontsa (Worldbackwards)

Mikhail Larionov, 1912

AEGON PUTTING HIS FLOCK IN DAMOETAS' CARE (headpiece, page 23) from LES ÉGLOGUES

Aristide Maillol, 1912

ARETHUSE (headpiece, page 96) from THE ECLOGUES

Aristide Maillol, 1912

Speculations from À l'Infinitif (La Boîte Blanche) (In the Infinitive [The White Box])

Marcel Duchamp, 1912

Folio 7 from Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

MOERIS RETURNING THE GOAT TO TOWN (in-text plate, page 85) from THE ECLOGUES

Aristide Maillol, 1912

A SLEEPING SHEPHERDESS (in-text plate, page 70) from LES ÉGLOGUES

Aristide Maillol, 1912

Folio 15 from Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

Plate (folio 10) from Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

NYMPHS, FAUNS, AND ANIMALS IN THE MOUNTAINS (in-text plate, page 59) from LES ÉGLOGUES

Aristide Maillol, 1912

CORYDON SEES HIMSELF IN A POOL (in-text plate, page 16) from LES ÉGLOGUES

Aristide Maillol, 1912

Plate (folio 13) from Mirskontsa (Worldbackwards)

Nikolai Rogovin, 1912

Plate (folio 9) from Igra v adu (A Game in Hell)

Natalia Goncharova, 1912

Plate (folio 21) from Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

Cover from Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

LES ÉGLOGUES

Aristide Maillol, 1912

MICON OFFERING THE BRANCHING ANTLERS OF A STAG (in-text plate, page 67) from LES ÉGLOGUES

Aristide Maillol, 1912

The Archer (Bogenschütze) (plate facing colophon page) from Der Blaue Reiter (The Blue Rider)

Vasily Kandinsky, 1912

GALLUS HUNTING THE WILD BOAR (in-text plate, page 102) from LES ÉGLOGUES

Aristide Maillol, 1912

Folio 29 from Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

Folio 19 from Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

Mirskontsa (Worldbackwards)

Natalia Goncharova, 1912

CORYDON AND THYRSIS, SEATED UNDER AN OAK, CHEERED IN THE ART OF SINGING AND RESPONDING (headpiece, page 64) from LES ÉGLOGUES

Aristide Maillol, 1912

LEDA (wrapper front; duplicate of plate from page 40) from LES ÉGLOGUES

Aristide Maillol, 1912

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