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Spring Cottage, Hampstead, 1860

Spring Cottage, Hampstead, 1860

Spring Cottage, Hampstead, 1860

1917

Medium: Graphite and watercolour on paper
Dimensions: support: 324 x 432 mm
Museum: Tate

More by Max Beerbohm

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala

Max Beerbohm, 1916

Mr Morley ... introduces Mr John Stuart Mill

Mr Morley ... introduces Mr John Stuart Mill

Max Beerbohm, 1917

Burning Incense to Whistler

Burning Incense to Whistler

Max Beerbohm, 1892

John S. Sargent. Verso: Studies of Heads

John S. Sargent. Verso: Studies of Heads

Max Beerbohm, 1910

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one

Max Beerbohm, 1917

Topsy and Ned Jones Settled on the Settle in Red Lion Square

Topsy and Ned Jones Settled on the Settle in Red Lion Square

Max Beerbohm, 1916

Sir William Eden Revisiting Paris

Sir William Eden Revisiting Paris

Max Beerbohm, 1907

Blue China

Blue China

Max Beerbohm, 1916

A. W. Pinero

A. W. Pinero

Max Beerbohm, 1905

Woolner at Farringford, 1857

Woolner at Farringford, 1857

Max Beerbohm, 1917

Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’

Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’

Max Beerbohm, 1916

The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union

The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union

Max Beerbohm, 1916

Spring Cottage, Hampstead, 1860 by Max Beerbohm — VisualArtsDB