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O the Roast Beef of Old England (‘The Gate of Calais’) by William Hogarth — VisualArtsDB

O the Roast Beef of Old England (‘The Gate of Calais’)

O the Roast Beef of Old England (‘The Gate of Calais’)

William Hogarth

1748

Medium: Oil paint on canvas
Dimensions: support: 788 x 945 mm frame: 1072 x 1228 x 105 mm
Museum: Tate

More by William Hogarth

Plate Two, from The Analysis of Beauty

Plate Two, from The Analysis of Beauty

William Hogarth, 1756

A Scene from ‘The Beggar’s Opera’ VI

A Scene from ‘The Beggar’s Opera’ VI

William Hogarth, 1731

Morning, plate one from The Four Times of the Day

Morning, plate one from The Four Times of the Day

William Hogarth, 1738

Hudibras and the Skimmington, plate seven from Hudibras

Hudibras and the Skimmington, plate seven from Hudibras

William Hogarth, 1725

Sigismunda Mourning over the Heart of Guiscardo

Sigismunda Mourning over the Heart of Guiscardo

William Hogarth, 1759

Plate four, from A Harlot's Progress

Plate four, from A Harlot's Progress

William Hogarth, 1732

The Staymaker (? The Happy Marriage V: The Fitting of the Ball Gown)

The Staymaker (? The Happy Marriage V: The Fitting of the Ball Gown)

William Hogarth, 1745

O the Roast Beef of Old England (‘The Gate of Calais’)

O the Roast Beef of Old England (‘The Gate of Calais’)

William Hogarth, 1749

Benjamin Hoadly, Bishop of Winchester

Benjamin Hoadly, Bishop of Winchester

William Hogarth, 1741

Head of a Lady, Called Lady Pembroke

Head of a Lady, Called Lady Pembroke

William Hogarth, 1740

Plate six, from A Harlot's Progress

Plate six, from A Harlot's Progress

William Hogarth, 1732

A Midnight Modern Conversation

A Midnight Modern Conversation

William Hogarth, 1732