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En engel åbenbarer sig for hyrderne by Gerbrand van den Eeckhout — VisualArtsDB

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Paintings
En engel åbenbarer sig for hyrderne

En engel åbenbarer sig for hyrderne

En engel åbenbarer sig for hyrderne

Gerbrand van den Eeckhout

1636–1674

Medium: Olie på træ
Dimensions: H 83.5 centimeter × W 67.5 centimeter
Genre: Paintings
Museum: Statens Museum for Kunst (National Gallery of Denmark)

Styles

Den Kongelige Maleri- og Skulptursamling

Tags

dutch

More by Gerbrand van den Eeckhout

Auricular Cartouche with Six Putti Clasping Fruit Garlands at the Sides

Auricular Cartouche with Six Putti Clasping Fruit Garlands at the Sides

Gerbrand van den Eeckhout

Auricular Cartouche with Fruit Garlands and a Winged Monster with Clawed Paws

Auricular Cartouche with Fruit Garlands and a Winged Monster with Clawed Paws

Gerbrand van den Eeckhout

Auricular Designs for Two Tables, the Upper with Fruit Garlands, the Lower with Muscular Figures as Legs

Auricular Designs for Two Tables, the Upper with Fruit Garlands, the Lower with Muscular Figures as Legs

Gerbrand van den Eeckhout

Korsfæstelsen

Korsfæstelsen

Gerbrand van den Eeckhout, 1647

Horticulturist

Horticulturist

Gerbrand van den Eeckhout, 1780

Musiktimen

Musiktimen

Gerbrand van den Eeckhout, 1655

A Seated Man in Middle Eastern Costume

A Seated Man in Middle Eastern Costume

Gerbrand van den Eeckhout, 1646

Auricular Cartouche with Two Winged Putti Holding Fruit Garlands with Ribbons

Auricular Cartouche with Two Winged Putti Holding Fruit Garlands with Ribbons

Gerbrand van den Eeckhout

Auricular Cartouche with Reptilian Wings at Top Flanking a Keyhole-like Aperture

Auricular Cartouche with Reptilian Wings at Top Flanking a Keyhole-like Aperture

Gerbrand van den Eeckhout

The Levite at Gibeah

The Levite at Gibeah

Gerbrand van den Eeckhout, 1640

Auricular Cartouche with Two Compartments, Fruit Garlands at the Sides

Auricular Cartouche with Two Compartments, Fruit Garlands at the Sides

Gerbrand van den Eeckhout

Sheet of Studies

Sheet of Studies

Gerbrand van den Eeckhout, 1660