Like Carleton Watkins, his better-known competitor, Charles Weed recognized the pictorial dividend to be gained by showing Yosemite’s glorious geological features in duplicate, using the valley’s lakes as reflecting ponds. Weed first traveled to what was then known as “Yo-Semite,” in 1859, but with a relatively small camera. He returned in 1865 with a larger model capable of using what were called mammoth plates. Like Watkins, he sold his prints to buyers eager to own a photograph of majestic natural beauty.