George Catlin probably painted this image of the Oneida chief Bread in Washington, D.C. in 1831. The artist found his subject to be “a shrewd and talented man, well educated---speaking good English---[he] is handsome, and a polite and gentlemanly man in his deportment.” Catlin also described Bread as “half-blood.” The artist apparently devoted some time to painting Bread, as the portrait is one of the most perceptive and carefully finished of the period. (Truettner, The Natural Man Observed, 1979)