Styles Genres Museums Artists Support

An open visual arts database with 1,000,000+ artworks, 100,000+ artists, and 1,800+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Sepulchral Monument for Carlo Fontana by Italian Giuseppe Barberi — VisualArtsDB

Home
Architecture
Sepulchral Monument for Carlo Fontana

Sepulchral Monument for Carlo Fontana

Sepulchral Monument for Carlo Fontana

Italian Giuseppe Barberi

1790

Medium: Pen and brown ink, brush and brown wash, graphite on beige laid paper
Genre: Architecture
Museum: Cooper Hewitt, Smithsonian Design Museum

Styles

Tags

architecture

About

Research in Progress

More by Italian Giuseppe Barberi

Tablet with an inscription

Tablet with an inscription

Italian Giuseppe Barberi, 1800

Stage Design for the Interior of a Gothic Palace

Stage Design for the Interior of a Gothic Palace

Italian Giuseppe Barberi, 1800

Design for a Baptismal Font

Design for a Baptismal Font

Italian Giuseppe Barberi, 1770

Design for a Fountain in a Pavilion

Design for a Fountain in a Pavilion

Italian Giuseppe Barberi, 1780

Mausoleum

Mausoleum

Italian Giuseppe Barberi, 1790

Design for a Molded Frame, Probably for a Looking Glass

Design for a Molded Frame, Probably for a Looking Glass

Italian Giuseppe Barberi, 1770

Design for Ceiling Decoration

Design for Ceiling Decoration

Italian Giuseppe Barberi, 1800

Sketches for a Mausoleum

Sketches for a Mausoleum

Italian Giuseppe Barberi, 1790

Designs for a Mantelpiece

Designs for a Mantelpiece

Italian Giuseppe Barberi, 1780

Escutcheons

Escutcheons

Italian Giuseppe Barberi, 1800

Design for a Doorframe

Design for a Doorframe

Italian Giuseppe Barberi, 1770

Bed Alcove with a Figure

Bed Alcove with a Figure

Italian Giuseppe Barberi, 1780