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Untitled by Leon Levinstein, Gary S. Davis — VisualArtsDB

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Photographs
Untitled

Untitled

Untitled

Leon Levinstein Gary S. Davis

1953–1963

Medium: gelatin silver print
Dimensions: image/sheet: 38.1 × 37.47 cm (15 × 14 3/4 in.)
Genre: Photographs
Museum: National Gallery of Art, Washington, DC, US

Related works

Carl Solomon on Sunday 1983 Springtime, Bronx, we spent all afternoon, he caught 6 fish, I ate them.

Carl Solomon on Sunday 1983 Springtime, Bronx, we spent all afternoon, he caught 6 fish, I ate them.

Gary S. Davis, 1983

Coney Island

Coney Island

Leon Levinstein, 1955

Peter Orlovsky handsome before he left for Greece. Tangier 1961 The cement porch of our room over the bay.

Peter Orlovsky handsome before he left for Greece. Tangier 1961 The cement porch of our room over the bay.

Gary S. Davis, 1961

WM. Burroughs, loft window 33 Greene Street New York, December 16, 1986.

WM. Burroughs, loft window 33 Greene Street New York, December 16, 1986.

Gary S. Davis, 1986

Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961

Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961

Gary S. Davis, 1961

Basil Bunting Summer 1973, we went from Bede's grave Durham Cathedral to a Northumbrian Churchyard where he preferred to be buried in time.

Basil Bunting Summer 1973, we went from Bede's grave Durham Cathedral to a Northumbrian Churchyard where he preferred to be buried in time.

Gary S. Davis, 1973

Dr. Timothy Leary meeting Neal Cassady first time in Merry Prankster day-glo painted bus. Neal'd driven cross country and up-state to Dr. Leary's retreat at Millbrook N.Y. early in the Goldwater-Johnson Presidentiad. They'd come honking up the estate driveway to park by the big house Kesey & friends like a many-headed psychedelic loudspeaker'd rhinoceros in quiet woodlands recently raided by Assistant D.A. G. Gordon Liddy & local constabulary without search warrants looking for grass busts, L.S.D. still legal those years. Neal's scratching amphetamine itch in his driver's palm. Dr. Tim'd come outside to visit bus.

Dr. Timothy Leary meeting Neal Cassady first time in Merry Prankster day-glo painted bus. Neal'd driven cross country and up-state to Dr. Leary's retreat at Millbrook N.Y. early in the Goldwater-Johnson Presidentiad. They'd come honking up the estate driveway to park by the big house Kesey & friends like a many-headed psychedelic loudspeaker'd rhinoceros in quiet woodlands recently raided by Assistant D.A. G. Gordon Liddy & local constabulary without search warrants looking for grass busts, L.S.D. still legal those years. Neal's scratching amphetamine itch in his driver's palm. Dr. Tim'd come outside to visit bus.

Gary S. Davis, 1964

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old."

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old."

Gary S. Davis, 1976

2/10/89 121 Wooster, Bowery Gallery, Rosebud & Lucien Carr

2/10/89 121 Wooster, Bowery Gallery, Rosebud & Lucien Carr

Gary S. Davis, 1989

[Woman looking through a window]

[Woman looking through a window]

Leon Levinstein, 1950

Untitled

Untitled

Leon Levinstein, 1950

Harry Smith (1923-1991), Anthropologist, entho-musicologist, bibliophile, innovative animator & film-maker, painter, designer, metaphysician & hermetic alchemist. Made over 1500 recordings for "restricted scientific use", 120 cuts commercially released. Mr. Smith's work collecting and preserving American oral song literature and artifacts was a primary source for post-mid-century folk music revival; Bob Dylan and others drew inspiration from his historic 3-box 6-record _Anthology of American Folk Music_ Collection made available 1952 on Folkways (FA 2951, 2&3) Records. First recordings of Charlie Parker, of the Fugs, of the Kiowa Peyote Ceremony (FE 4601, 1965 Folkways). Lived in poverty on New York's Bowery, awarded a Grammy 1991 for his "advancement of American Folk Music". Equally celebrated as avant-garde film-maker.

Harry Smith (1923-1991), Anthropologist, entho-musicologist, bibliophile, innovative animator & film-maker, painter, designer, metaphysician & hermetic alchemist. Made over 1500 recordings for "restricted scientific use", 120 cuts commercially released. Mr. Smith's work collecting and preserving American oral song literature and artifacts was a primary source for post-mid-century folk music revival; Bob Dylan and others drew inspiration from his historic 3-box 6-record _Anthology of American Folk Music_ Collection made available 1952 on Folkways (FA 2951, 2&3) Records. First recordings of Charlie Parker, of the Fugs, of the Kiowa Peyote Ceremony (FE 4601, 1965 Folkways). Lived in poverty on New York's Bowery, awarded a Grammy 1991 for his "advancement of American Folk Music". Equally celebrated as avant-garde film-maker.

Gary S. Davis, 1985