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Untitled by Leon Levinstein, Gary S. Davis — VisualArtsDB

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Photographs
Untitled

Untitled

Untitled

Leon Levinstein Gary S. Davis

1970–1979

Medium: gelatin silver print
Dimensions: image/sheet: 34.29 × 23.5 cm (13 1/2 × 9 1/4 in.)
Genre: Photographs
Museum: National Gallery of Art, Washington, DC, US

Related works

Moscow Beauty Institute, Russia

Moscow Beauty Institute, Russia

Gary S. Davis, 1954

Subway Employees, Moscow, Russia

Subway Employees, Moscow, Russia

Gary S. Davis, 1954

Rob MacKercher asleep on futon, living room floor N.Y. January 3, 1986, visiting city for New Year’s adventures, he’d hosted me with his English class Canton Michigan High School a year before, later visited Naropa.

Rob MacKercher asleep on futon, living room floor N.Y. January 3, 1986, visiting city for New Year’s adventures, he’d hosted me with his English class Canton Michigan High School a year before, later visited Naropa.

Gary S. Davis, 1986

Back Tattoo

Back Tattoo

Leon Levinstein, 1965

Coney Island

Coney Island

Leon Levinstein, 1950

Allen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985.

Allen Ginsberg & Gregory Corso, Enrico's Cafe Broadway San Francisco March 16, 1985.

Gary S. Davis, 1985

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_....

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_....

Gary S. Davis, 1957

Neal Cassady and his love of that year the star-cross’d Natalie Jackson conscious of their rôles in Market Street Eternity: Cassady had been prototype for Jack Kerouac’s 1950 _On the Road_ saga hero Dean Moriarty, as later in 1960’s he’d taken the driver’s wheel of Ken Kesey’s psychedelic-era day-glo painted Merry Prankster crosscountry bus “Further.” Neal’s illuminated American automobile mania, “unspeakably enthusiastic” friendship & erotic energy had already written his name in brightlit signs of our literary imaginations before movies were made imitating his charm. That’s why we stopped under the marquee to fix the passing hand on the watch, San Francisco, maybe March 1955.

Neal Cassady and his love of that year the star-cross’d Natalie Jackson conscious of their rôles in Market Street Eternity: Cassady had been prototype for Jack Kerouac’s 1950 _On the Road_ saga hero Dean Moriarty, as later in 1960’s he’d taken the driver’s wheel of Ken Kesey’s psychedelic-era day-glo painted Merry Prankster crosscountry bus “Further.” Neal’s illuminated American automobile mania, “unspeakably enthusiastic” friendship & erotic energy had already written his name in brightlit signs of our literary imaginations before movies were made imitating his charm. That’s why we stopped under the marquee to fix the passing hand on the watch, San Francisco, maybe March 1955.

Gary S. Davis, 1955

Untitled

Untitled

Leon Levinstein, 1953

Untitled

Untitled

Leon Levinstein, 1953

Eugene Brooks at Seder Table, Patterson, New Jersey E. 34th St. our house

Eugene Brooks at Seder Table, Patterson, New Jersey E. 34th St. our house

Gary S. Davis, 1953

Peter Orlovsky & Robert Frank parked across from my apartment door, his truck --he had stopped by to visit. I brought down my Leica & Fuji cameras & film for him to take my photo for back cover _Selected Poems_. Peter came by. They hadn't seen each other in nine months Peter said. East 12th street, June 11, 1996.

Peter Orlovsky & Robert Frank parked across from my apartment door, his truck --he had stopped by to visit. I brought down my Leica & Fuji cameras & film for him to take my photo for back cover _Selected Poems_. Peter came by. They hadn't seen each other in nine months Peter said. East 12th street, June 11, 1996.

Gary S. Davis, 1996