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Strong Gregory Corso Tangier 1961, The loner. by Gary S. Davis, Allen Ginsberg — VisualArtsDB

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Strong Gregory Corso Tangier 1961, The loner.

Strong Gregory Corso Tangier 1961, The loner.

Strong Gregory Corso Tangier 1961, The loner.

Gary S. Davis Allen Ginsberg

1961

Medium: gelatin silver print
Dimensions: image: 11.75 × 17.5 cm (4 5/8 × 6 7/8 in.) sheet: 20.32 × 25.4 cm (8 × 10 in.)
Genre: Photographs
Museum: National Gallery of Art, Washington, DC, US

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George Condo in his studio townhouse East 64th Street, N.Y. January 15, 1993

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“Peter lying dressed up in pants on mattress picking his red moustache, with long hollywood Christlike hair & Christ’s small beard stubble — ” (_Indian Journals_, p. 132) Orlovsky & I spent half year in this room overlooking Dasasumedh Ghat’s bathers pilgrims & beggars a few steps from the Ganges, french window slats overlooking food market one side, pilgrim alley the other. We cooked on small gas camper stove, kept records, wrote letters, visited temples, burning ghats, read Ramayana, mixed with poets
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Bill Wyman

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Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986.

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Gary S. Davis, 1964