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The First George Grosz Portfolio (Erste George Grosz-Mappe) by George Grosz — VisualArtsDB

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The First George Grosz Portfolio (Erste George Grosz-Mappe)

1916

Medium: Portfolio of nine lithographs
Dimensions: composition (each approx.): 12 1/16 x 9 1/16" (30.6 x 23 cm); sheet (each approx.): 19 1/4 x 15 13/16" (48.9 x 40.2 cm)
Genre: print
Museum: Museum of Modern Art (MoMA)

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Drawings & Prints

More by George Grosz

"Let those swim who can - the heavy may sink!" (Act I, scene 1), from Die Rauber

"Let those swim who can - the heavy may sink!" (Act I, scene 1), from Die Rauber

George Grosz, 1922

Third Case Grosz

Third Case Grosz

George Grosz, 1917

"The blessing of heaven is visibly upon me." (Act II, scene 2), from Die Rauber

"The blessing of heaven is visibly upon me." (Act II, scene 2), from Die Rauber

George Grosz, 1922

"Even lions and tigers nourish their young. Ravens feast their brood on carrion." (Act I, scene 2), from Die Rauber

"Even lions and tigers nourish their young. Ravens feast their brood on carrion." (Act I, scene 2), from Die Rauber

George Grosz, 1922

"I will root up from my path whatever obstructs my progress towards becoming the master." (Act 1, scene 1), from Die Rauber

"I will root up from my path whatever obstructs my progress towards becoming the master." (Act 1, scene 1), from Die Rauber

George Grosz, 1922

Murder

Murder

George Grosz, 1914

The Rabblerouser

The Rabblerouser

George Grosz, 1925

Seated Nude

Seated Nude

George Grosz, 1925

Jazz Musicians

Jazz Musicians

George Grosz, 1916

A Friend of Mine (recto); Head of a Man (verso)

A Friend of Mine (recto); Head of a Man (verso)

George Grosz, 1915

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber

George Grosz, 1922

Wedding Day

Wedding Day

George Grosz, 1915