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Headpiece (page 92) from The Voice of the City and Other Stories by George Grosz — VisualArtsDB

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Headpiece (page 92) from The Voice of the City and Other Stories

1935

Medium: Line block from an illustrated book with twenty-six line block and twenty-one offset lithography reproductions
Dimensions: composition (irreg.): 3 × 1 1/16" (7.6 × 2.7 cm); page (each): 10 1/4 × 7 3/8" (26 × 18.7 cm)
Genre: Illustrated book
Museum: Museum of Modern Art (MoMA), New York City, NY, US

More by George Grosz

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

George Grosz, 1920

The Survivor

The Survivor

George Grosz, 1936

A Friend of Mine (recto); Head of a Man (verso)

A Friend of Mine (recto); Head of a Man (verso)

George Grosz, 1915

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." ("Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.")

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." ("Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.")

George Grosz, 1921

In der Petite Chaumière, Monmartre (In the Little Cottage, Montmartre)

In der Petite Chaumière, Monmartre (In the Little Cottage, Montmartre)

George Grosz, 1924

Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse)

Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse)

George Grosz, 1918

Street Scene

Street Scene

George Grosz, 1925

The End of a Perfect Day (Nach getaner Arbeit)

The End of a Perfect Day (Nach getaner Arbeit)

George Grosz, 1939

South Berlin (Südende)

South Berlin (Südende)

George Grosz, 1913

Rimbaud's Fantasies (recto), and Buildings and Streetlight (verso)

Rimbaud's Fantasies (recto), and Buildings and Streetlight (verso)

George Grosz, 1926

The End of a Perfect Day

The End of a Perfect Day

George Grosz, 1939

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber

George Grosz, 1922