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At the Cirque Medrano (Im Zirkus Medrano) by George Grosz — VisualArtsDB

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At the Cirque Medrano (Im Zirkus Medrano)

1924

Medium: Ink on paper
Dimensions: 14 3/4 x 12 1/2" (37.5 x 31.9 cm)
Genre: Drawing
Museum: Museum of Modern Art (MoMA), New York City, NY, US

More by George Grosz

Two Women seen from the Back

Two Women seen from the Back

George Grosz, 1928

Drawing for ‘The Mirror of the Bourgeoisie’

Drawing for ‘The Mirror of the Bourgeoisie’

George Grosz, 1925

A Woman Walking to the Left

A Woman Walking to the Left

George Grosz, 1893

"I have done my part ... the plunder is your affair." ("Ich habe das Meine getan ... Das Plündern ist eure Sache!")

"I have done my part ... the plunder is your affair." ("Ich habe das Meine getan ... Das Plündern ist eure Sache!")

George Grosz, 1922

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

George Grosz, 1920

"The blessing of heaven is visibly upon me." (Act II, scene 2), from Die Rauber

"The blessing of heaven is visibly upon me." (Act II, scene 2), from Die Rauber

George Grosz, 1922

A Friend of Mine (recto); Head of a Man (verso)

A Friend of Mine (recto); Head of a Man (verso)

George Grosz, 1915

Seated Nude

Seated Nude

George Grosz, 1925

"Even lions and tigers nourish their young. Ravens feast their brood on carrion." ("Löwen und Leoparden füttern ihre Jungen, Raben tischen ihren Kleinen auf ...")

"Even lions and tigers nourish their young. Ravens feast their brood on carrion." ("Löwen und Leoparden füttern ihre Jungen, Raben tischen ihren Kleinen auf ...")

George Grosz, 1921

The Survivor

The Survivor

George Grosz, 1936

Dr. Huelsenbeck Near the End

Dr. Huelsenbeck Near the End

George Grosz, 1920

"Right is with the strongest." ("Das Recht wohnet beim Überwältiger.")

"Right is with the strongest." ("Das Recht wohnet beim Überwältiger.")

George Grosz, 1921