Styles Genres Museums Artists Support

An open visual arts database with 550,000+ artworks, 51,000+ artists, and 810+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Portrait of Congo from Fluxus 1 by Unidentified — VisualArtsDB

No image available

Portrait of Congo from Fluxus 1

1964

Medium: Offset on transparentized paper
Dimensions: book: 7 9/16 × 8 7/16 × 2 3/8" (19.2 × 21.5 × 6 cm)
Genre: Illustrated Book
Museum: Museum of Modern Art (MoMA)

Styles

Drawings & Prints

More by Unidentified

Sorrow (Kümmernis)

Sorrow (Kümmernis)

Unidentified, 1914

Teika’s Ten Styles of Japanese Poetry

Teika’s Ten Styles of Japanese Poetry

Unidentified, 1700

Screen of Two Dancers (Bugi zu byōbu)

Screen of Two Dancers (Bugi zu byōbu)

Unidentified, 1634

Recovering the Tripod from the Si River

Recovering the Tripod from the Si River

Unidentified, 1800

Standing Boy and Two Girls (second version) (Stehender Knabe und zwei Mädchen 2 )

Standing Boy and Two Girls (second version) (Stehender Knabe und zwei Mädchen 2 )

Unidentified, 1917

Mount Kurama Mandala: Bishamonten Triad

Mount Kurama Mandala: Bishamonten Triad

Unidentified, 1400

Portrait of Dengyō Daishi (Saichō)

Portrait of Dengyō Daishi (Saichō)

Unidentified, 1700

Luohan, after a set attributed to Guanxiu

Luohan, after a set attributed to Guanxiu

Unidentified, 1700

Sugawara no Michizane Being Exiled to Dazaifu

Sugawara no Michizane Being Exiled to Dazaifu

Unidentified, 1600

Pear Blossoms

Pear Blossoms

Unidentified, 1270

Sundareshvara as a siddha feeding sugarcane to the elephant.

Sundareshvara as a siddha feeding sugarcane to the elephant.

Unidentified, 1790

Lions Dancing Among Peonies on Stone Bridge

Lions Dancing Among Peonies on Stone Bridge

Unidentified, 1867