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TWO GOATS (tailpiece, page 158) from DAPHNIS AND CHLOE by Aristide Maillol — VisualArtsDB

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TWO GOATS (tailpiece, page 158) from DAPHNIS AND CHLOE

Aristide Maillol

1937

Dimensions: irreg. composition 1 7/16 x 2 1/2" (3.7 x 6.3 cm)
Genre: Illustrated book
Museum: Museum of Modern Art (MoMA), New York City, NY, US

More by Aristide Maillol

First Book: Daphnis and Chloe Picking Flowers(Daphnis et Chloe rammassant des fleurs)

First Book: Daphnis and Chloe Picking Flowers(Daphnis et Chloe rammassant des fleurs)

Aristide Maillol, 1937

Nude, Back

Nude, Back

Aristide Maillol, 1861

Second Book: Daphnis Driving Home His Flock (Daphnis ramene ses betes a l'etable)

Second Book: Daphnis Driving Home His Flock (Daphnis ramene ses betes a l'etable)

Aristide Maillol, 1937

Study of a Male Nude

Study of a Male Nude

Aristide Maillol, 1902

Panneau décoratif

Panneau décoratif

Aristide Maillol, 1895

Second Book: Daphnis and Chloe Sitting Close Together (Daphnis et Chloe assis sous unchene et s'embrassant)

Second Book: Daphnis and Chloe Sitting Close Together (Daphnis et Chloe assis sous unchene et s'embrassant)

Aristide Maillol, 1937

First Book: Chloe Casting Daphnis into Her Arms (Daphnis et Chloe se lavent ensemble dans la caverne des nymphes)

First Book: Chloe Casting Daphnis into Her Arms (Daphnis et Chloe se lavent ensemble dans la caverne des nymphes)

Aristide Maillol, 1937

Third Eclogue: Naiad on a Dolphin (Naiade chevauchant un dauphin)

Third Eclogue: Naiad on a Dolphin (Naiade chevauchant un dauphin)

Aristide Maillol, 1926

Ovid's "The Art of Love" ("L'art d'aimer" d'Ovide)

Ovid's "The Art of Love" ("L'art d'aimer" d'Ovide)

Aristide Maillol, 1935

Ninth Eclogue: Moeris on the Road to Town (Moeris rentrant sa chevre a la ville)

Ninth Eclogue: Moeris on the Road to Town (Moeris rentrant sa chevre a la ville)

Aristide Maillol, 1926

Ninth Eclogue: Two Nymphs of the Woodlands (Deux nymphes)

Ninth Eclogue: Two Nymphs of the Woodlands (Deux nymphes)

Aristide Maillol, 1926

Daphnis and Chloé

Daphnis and Chloé

Aristide Maillol, 1937