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Pictorial initial S (page 5) from L'ART D'AIMER by Aristide Maillol — VisualArtsDB

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Illustrated books
Pictorial initial S (page 5) from L'ART D'AIMER

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Pictorial initial S (page 5) from L'ART D'AIMER

Aristide Maillol

1935

Medium: Wood engraving, printed in black
Dimensions: composition 1 3/4 x 1 9/16" (4.5 x 4 cm)
Genre: Illustrated books
Museum: Museum of Modern Art (MoMA), New York City, NY, US

More by Aristide Maillol

Gående kvinde

Aristide Maillol, 1861

Woman in Cradle

Woman in Cradle

Aristide Maillol, 1925

Stående kvindelig model, set fra ryggen

Stående kvindelig model, set fra ryggen

Aristide Maillol, 1898

Nude Girl Seen from Back

Nude Girl Seen from Back

Aristide Maillol, 1876

First Book: Chloe Washing Her Naked Limbs (Chloe se baignant dans une fontaine)

First Book: Chloe Washing Her Naked Limbs (Chloe se baignant dans une fontaine)

Aristide Maillol, 1937

Third Book: Daphnis Puts the Apple into Chloe's Bosom, First Conception (Daphnis met le pomme entre seins de Chloe, variante)

Third Book: Daphnis Puts the Apple into Chloe's Bosom, First Conception (Daphnis met le pomme entre seins de Chloe, variante)

Aristide Maillol, 1937

Ninth Eclogue: Galatea Daughter of Nereus (Galatee nue devant une fontaine)

Ninth Eclogue: Galatea Daughter of Nereus (Galatee nue devant une fontaine)

Aristide Maillol, 1926

Two Young Girls

Two Young Girls

Aristide Maillol, 1930

Second Book: Three Goats Resting, Fourth Plate (Trois chevreaux couches, quatrieme planche)

Second Book: Three Goats Resting, Fourth Plate (Trois chevreaux couches, quatrieme planche)

Aristide Maillol, 1937

Ovid's "The Art of Love" ("L'art d'aimer" d'Ovide)

Ovid's "The Art of Love" ("L'art d'aimer" d'Ovide)

Aristide Maillol, 1935

Second Book: Daphnis and Chloe Sitting Close Together (Daphnis et Chloe assis sous unchene et s'embrassant)

Second Book: Daphnis and Chloe Sitting Close Together (Daphnis et Chloe assis sous unchene et s'embrassant)

Aristide Maillol, 1937

Nude Girl Seen from Back

Nude Girl Seen from Back

Aristide Maillol, 1881