Styles Genres Museums Artists Support

An open visual arts database with 625,000+ artworks, 54,000+ artists, and 710+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Plate (facing page 478) from L'ODYSSÉE by Émile Bernard — VisualArtsDB

No image available

Plate (facing page 478) from L'ODYSSÉE

1930

Medium: Woodcut and pochoir, printed in color
Dimensions: composition 9 3/16 x 6 1/2" (23.4 x 16.5 cm)
Genre: Illustrated book
Museum: Museum of Modern Art (MoMA), New York City, NY, US

More by Émile Bernard

Portrait of Paul Sérusier

Portrait of Paul Sérusier

Émile Bernard, 1893

Les Bretonneries: Title Page (Page de Titre)

Les Bretonneries: Title Page (Page de Titre)

Émile Bernard, 1889

Breton Women

Breton Women

Émile Bernard, 1884

Les Bretonneries: The Harvesters (Les Moissonneurs)

Les Bretonneries: The Harvesters (Les Moissonneurs)

Émile Bernard, 1889

The Stroll

The Stroll

Émile Bernard, 1888

Caricature of Paul Gauguin

Caricature of Paul Gauguin

Émile Bernard, 1889

The Outraged Roland, from Les Cantilenes

The Outraged Roland, from Les Cantilenes

Émile Bernard, 1892

Les Bretonneries: Wedding in Brittany (La Noce en Bretange)

Les Bretonneries: Wedding in Brittany (La Noce en Bretange)

Émile Bernard, 1889

Laundresses

Laundresses

Émile Bernard, 1888

Two Women, Bust Length

Two Women, Bust Length

Émile Bernard, 1888

Les Bretonneries: Title Page (Page de Titre) and The Return from the Pilgrimage (Le Retour du Pardon)

Les Bretonneries: Title Page (Page de Titre) and The Return from the Pilgrimage (Le Retour du Pardon)

Émile Bernard, 1889

Les Bretonneries: Breton Women Making Haystacks (Bretonnes Faisant les Foins)

Les Bretonneries: Breton Women Making Haystacks (Bretonnes Faisant les Foins)

Émile Bernard, 1889