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George Grosz letterhead (Letter to Schainwald) by George Grosz — VisualArtsDB

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George Grosz letterhead (Letter to Schainwald)

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George Grosz letterhead (Letter to Schainwald)

1958

Medium: Letterpress
Dimensions: 11 5/8 × 8 1/4" (29.5 × 21 cm)
Genre: Design
Museum: Museum of Modern Art (MoMA), New York City, NY, US

More by George Grosz

I Will Root up From My Path Whatever Obstructs my Progress Toward Becoming the Master (Act I, scene i)

I Will Root up From My Path Whatever Obstructs my Progress Toward Becoming the Master (Act I, scene i)

George Grosz, 1922

A Woman Walking to the Left

A Woman Walking to the Left

George Grosz, 1893

The Rabblerouser

The Rabblerouser

George Grosz, 1925

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

George Grosz, 1920

War Invalid and Workers

War Invalid and Workers

George Grosz, 1920

The Guilty One Remains Unknown

The Guilty One Remains Unknown

George Grosz, 1919

Suicide

Suicide

George Grosz, 1916

The Robbers (Die Räuber)

The Robbers (Die Räuber)

George Grosz, 1922

Approaching Storm

Approaching Storm

George Grosz, 1940

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." ("Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.")

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." ("Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.")

George Grosz, 1921

"Right is with the strongest." ("Das Recht wohnet beim Überwältiger.")

"Right is with the strongest." ("Das Recht wohnet beim Überwältiger.")

George Grosz, 1921

From the Médrano Circus (Aus dem Zirkus Médrano)

From the Médrano Circus (Aus dem Zirkus Médrano)

George Grosz, 1924