Styles Genres Museums Artists Support

An open visual arts database with 550,000+ artworks, 51,000+ artists, and 810+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Photocollage, by Martin Kippenberger — VisualArtsDB

No image available

Photocollage,

Martin Kippenberger

1983

Medium: Catalogue, lithograph printed
Dimensions: page (each): 9 7/16 × 6 1/2" (23.9 × 16.5 cm); overall (closed): 9 7/16 × 6 1/2 × 3/16" (23.9 × 16.5 × 0.5 cm)
Genre: Illustrated Book
Museum: Museum of Modern Art (MoMA)

Styles

Drawings & Prints

More by Martin Kippenberger

Jeff Koons Thinks Martin Kippenberger is Great, Tremendous, Fabulous, Everything

Jeff Koons Thinks Martin Kippenberger is Great, Tremendous, Fabulous, Everything

Martin Kippenberger, 1990

Albert Oehlen and Diedrich Diederichsen present: The Four Best Films in the World

Albert Oehlen and Diedrich Diederichsen present: The Four Best Films in the World

Martin Kippenberger, 1986

Heimo Zobernig

Heimo Zobernig

Martin Kippenberger, 1991

The Heat 2

The Heat 2

Martin Kippenberger, 1989

The Beginning was a Retrospective

The Beginning was a Retrospective

Martin Kippenberger, 1992

Candidature for a Retrospective

Candidature for a Retrospective

Martin Kippenberger, 1993

Revolution in Cologne

Revolution in Cologne

Martin Kippenberger, 1986

Untitled (Hotel Geisler)

Untitled (Hotel Geisler)

Martin Kippenberger, 1992

Broken Neon

Broken Neon

Martin Kippenberger, 1987

Event Poster S.O. 36

Event Poster S.O. 36

Martin Kippenberger, 1979

We were Anchored at the Coast of Sansibar and had a Manifesto on Board

We were Anchored at the Coast of Sansibar and had a Manifesto on Board

Martin Kippenberger, 1990

Respective 1997 - 1976

Respective 1997 - 1976

Martin Kippenberger, 1997