Tiled Arch

God is the Light of the Heavens and the Earth The example of His light is that of a niche, in which there is a lamp – Surah An-Nor (“The Light”) 24:35 This Qur’anic verse compares God’s divine light with that of a lamp glowing within a niche, and is often featured encircling the mihrab, a recessed space in a mosque that indicates the direction of prayer towards Mecca. Although these two artworks did not arise from specifically religious contexts, in combination they give form to this important Islamic concept. The tiled arch, perhaps from a palace, demonstrates the profusion of Islamic ceramic traditions in South Asia. The lyrical flower and vine motifs recall the atmosphere of al-Janna, or Garden of Eden, profusely described in over 130 Qur’anic verses. The vase is European, created by French ceramicist Théodore Deck, whose creative process involved emulating designs from what was then called the ‘Orient.’ He masterfully combined many of the glazes and patterns seen in the cases behind, laying them onto the form of a mosque lamp, which in Islamic contexts would have been made of glass. The Arabic script is ornamental, or pseudo-calligraphy, not intended to be read.