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The Pantheon by Giovanni Battista Piranesi — VisualArtsDB

The Pantheon

The Pantheon

Giovanni Battista Piranesi

1761

Medium: Etching
Dimensions: 18 13/16 x 27 5/8 in. (47.78 x 70.17 cm) (plate) 20 1/4 x 28 3/8 in. (51.44 x 72.07 cm) (sheet)
Genre: Print
Museum: Minneapolis Institute of Art

Tags

Italy

More by Giovanni Battista Piranesi

Avanco del Tempio della Concordia

Avanco del Tempio della Concordia

Giovanni Battista Piranesi, 1756

Arco di Druso

Arco di Druso

Giovanni Battista Piranesi, 1748

The Temple of Saturn, with a Corner of the Arch of Septimius Severus in the Background

The Temple of Saturn, with a Corner of the Arch of Septimius Severus in the Background

Giovanni Battista Piranesi, 1774

Volume 20: Various Ways of Ornamenting Chimneypieces

Volume 20: Various Ways of Ornamenting Chimneypieces

Giovanni Battista Piranesi

The Temple of Portunus (?)

The Temple of Portunus (?)

Giovanni Battista Piranesi, 1758

The Well

The Well

Giovanni Battista Piranesi, 1761

View of Ponte Lugano on the Anio, from Views of Rome

View of Ponte Lugano on the Anio, from Views of Rome

Giovanni Battista Piranesi, 1763

The Well, plate 13 from Imaginary Prisons

The Well, plate 13 from Imaginary Prisons

Giovanni Battista Piranesi, 1761

View of the Arch of Constantine

View of the Arch of Constantine

Giovanni Battista Piranesi

Dedication to Giovanni Bottari, from Some Views of Triumphal Arches and other monuments

Dedication to Giovanni Bottari, from Some Views of Triumphal Arches and other monuments

Giovanni Battista Piranesi, 1748

The Triumphal Arch

The Triumphal Arch

Giovanni Battista Piranesi, 1745

Title Page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi

Title Page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi

Giovanni Battista Piranesi, 1764