Styles Genres Museums Artists Support

An open visual arts database with 825,000+ artworks, 75,000+ artists, and 750+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Lincoln by Thomas Nast — VisualArtsDB

Lincoln

Lincoln

1865

Medium: Wood engraving
Dimensions: 13 3/4 x 20 3/4 in. (34.93 x 52.71 cm) (image) 16 x 22 in. (40.64 x 55.88 cm) (sheet)
Genre: Print
Museum: Minneapolis Institute of Art

Tags

United States

More by Thomas Nast

A Diplomatic (Chinese) Design Presented to U.S.

A Diplomatic (Chinese) Design Presented to U.S.

Thomas Nast, 1881

Study: War with England

Study: War with England

Thomas Nast, 1860

Compromise with the South

Compromise with the South

Thomas Nast, 1864

Arlington Heights. Die Wacht. Am Potomac.

Arlington Heights. Die Wacht. Am Potomac.

Thomas Nast, 1871

Self-Portrait

Self-Portrait

Thomas Nast, 1884

On the Red Danube

On the Red Danube

Thomas Nast, 1877

Their Coat of Arms

Their Coat of Arms

Thomas Nast, 1889

The "Internationalists" Are to Make the World All One Millennium - (Chaos)

The "Internationalists" Are to Make the World All One Millennium - (Chaos)

Thomas Nast, 1878

The Cat's-Paw, Any Thing to Get Chestnuts

The Cat's-Paw, Any Thing to Get Chestnuts

Thomas Nast, 1892

Sheet of Sketches: Sailors Aboard Ship Looking Toward Land (recto); Sheet of Sketches: Landscape and Battle Between an Angel and a Warrior (verso)

Sheet of Sketches: Sailors Aboard Ship Looking Toward Land (recto); Sheet of Sketches: Landscape and Battle Between an Angel and a Warrior (verso)

Thomas Nast, 1860

Why He Cannot Sleep

Why He Cannot Sleep

Thomas Nast, 1866

Vanity Fair: Statesman, No. 113 "The Massive Grievance"

Vanity Fair: Statesman, No. 113 "The Massive Grievance"

Thomas Nast, 1872