
1300
A finch, intensely focused on a moth, readies to strike its prey. It is perched on a citrus branch whose grapefruit and decaying leaves, like the bird and insect, have been rendered with naturalistic colors and great detail. This style of painting, based on direct observation, is credited to the bird-and-flower painters of the Northern Song Academy, especially as it developed under the leadership of Emperor Hui Zong (r. 1100–1125). Their technique generally rejects the use of ink outline and relies on the use of color alone (mogu or “boneless method”). The Chinese elevated plants and animals to artistic themes centuries before the West. They were also the first to render this type of subject matter with near scientific accuracy.