
1643
Simon Vouet served at the court of Louis XIII as first painter to the king. At the chateau of Fontainebleau, Vouet used this sketch as the basis for a fresco in the vestibule of the queen's apartments in 1644. The decorations were later destroyed, but they are known from a book of engravings that reproduce the works. This drawing even provided inspiration for the book's title page. The engraver, Michel Dorigny, Vouet's son-in-law, made significant changes to Vouet's drawing when adapting it for print, altering the composition and turning Vouet's robust, monumental figures into thinner, less classicizing women and putti.