Maillol was captivated by the female nude, and is known primarily for his depiction of the subject in a formalized manner, which references classical Greek sculpture.
Aristide Maillol, 1895
Aristide Maillol, 1902
Aristide Maillol, 1937
Aristide Maillol, 1900
Aristide Maillol, 1881
Aristide Maillol, 1893
Aristide Maillol, 1930
Aristide Maillol, 1924
Aristide Maillol, 1926
Aristide Maillol, 1906
Aristide Maillol, 1927