
Kikuchi Gozan was a famous poet during the late Edo period. He was born into a scholarly Confucian family and eventually established his own poetry school. Between 1804 and 1832, Gozan released ten issues of “Talks on Poetry from Gozan’s Study” (Gozandō shiwa), a publication that sought to introduce the works of hitherto unknown poets to the public. A single line of calligraphy is a demanding exercise; its sparseness requires that both the composition of individual characters and the overall arrangement of them are interesting and well-balanced. This work, executed in running script, begins with a dark, heavy character for ‘night, ’ the weight of which is emphasized and counter-balanced by the lightly written characters that follow. The varying thickness and wetness of brushstrokes reveal where Gozan has re-dipped his brush in the ink, and compliment the rhythm of his poem. 夜船燈火 漁家雨 秋枕涛殸 僧榻風 Light from a lamp at night in a boat— / Rain over the fisherman's home; / Sound of waves from an autumn pillow— / Wind over the Buddhist monk's bed! (Trans. Stephen Addiss)