1926
Aristide Maillol had a longstanding love-affair with the female form. In his hands women become not so much idealized as generalized to become emblems of sensuous femininity.
Aristide Maillol, 1895
Aristide Maillol, 1937
Aristide Maillol, 1926
Aristide Maillol, 1938
Aristide Maillol, 1900
Aristide Maillol, 1930