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Sakata Kintoki Riding on Bear's Back by Katsushika Hokusai — VisualArtsDB

Sakata Kintoki Riding on Bear's Back

Sakata Kintoki Riding on Bear's Back

Katsushika Hokusai

1760–1849

Medium: Ink and red color on paper
Dimensions: 16 13/16 x 10 1/2 in. (42.7 x 26.7 cm)
Genre: Paintings
Museum: Metropolitan Museum of Art, New York, NY

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menbears

More by Katsushika Hokusai

Frontispiece to the illustrated album "Thirty-six Immortal Women Poets" ("Nishikizuri onna sanjurokkasen")

Frontispiece to the illustrated album "Thirty-six Immortal Women Poets" ("Nishikizuri onna sanjurokkasen")

Katsushika Hokusai, 1801

Sono no yuki

Sono no yuki

Katsushika Hokusai

Crab and Rice Plant

Crab and Rice Plant

Katsushika Hokusai, 1800

Woman Feeding a Goat with Paper

Woman Feeding a Goat with Paper

Katsushika Hokusai, 1811

Canary and Peony, from an untitled series

Canary and Peony, from an untitled series

Katsushika Hokusai, 1829

The Brine Maiden

The Brine Maiden

Katsushika Hokusai, 1830

Still Life: Double Cherry-Blossom Branch, Telescope, Sweet Fish, and Tissue Case

Still Life: Double Cherry-Blossom Branch, Telescope, Sweet Fish, and Tissue Case

Katsushika Hokusai, 1804

Poem by Chunagon Yakamochi, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"

Poem by Chunagon Yakamochi, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"

Katsushika Hokusai, 1830

Random Sketches by Hokusai, Volumes 1 to 11

Random Sketches by Hokusai, Volumes 1 to 11

Katsushika Hokusai, 1615

Various Pictures by Hokusai (Hokusai soga) 北斎麁画

Various Pictures by Hokusai (Hokusai soga) 北斎麁画

Katsushika Hokusai, 1820

The Four Sleepers in Spring Dawn (Shisui shunsho)

The Four Sleepers in Spring Dawn (Shisui shunsho)

Katsushika Hokusai, 1801

Ryogoku Bridge, from vol. 1 of the illustrated book "Fine Views of the Eastern Capital at a Glance (Toto shokei ichiran)"

Ryogoku Bridge, from vol. 1 of the illustrated book "Fine Views of the Eastern Capital at a Glance (Toto shokei ichiran)"

Katsushika Hokusai, 1800