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Furuichi Dance (No. 1 of a Set of Four) by Yashima Gakutei — VisualArtsDB

Furuichi Dance (No. 1 of a Set of Four)

Furuichi Dance (No. 1 of a Set of Four)

Yashima Gakutei

1800–1899

Medium: Woodblock print (surimono); ink and color on paper
Dimensions: 8 1/4 x 7 3/8 in. (21 x 18.7 cm)
Genre: Prints
Museum: Metropolitan Museum of Art, New York, NY

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More by Yashima Gakutei

Two Princesses of the River (Kohi nijo), from the series "A Set of Ten Famous Numbers for the Katsushika Circle (Katsushikaren meisu juban)"

Two Princesses of the River (Kohi nijo), from the series "A Set of Ten Famous Numbers for the Katsushika Circle (Katsushikaren meisu juban)"

Yashima Gakutei, 1823

Two Women Reading

Two Women Reading

Yashima Gakutei, 1820

A Lady About to Write a Poem

A Lady About to Write a Poem

Yashima Gakutei, 1810

The Chinese Calligrapher Boying (Japanese: Hakuei; also known as the “Sage of Cursive Script”); “Inkstone” (Suzuri), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū)
From the Spring Rain Collection (Harusame shū), vol. 1

The Chinese Calligrapher Boying (Japanese: Hakuei; also known as the “Sage of Cursive Script”); “Inkstone” (Suzuri), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū) From the Spring Rain Collection (Harusame shū), vol. 1

Yashima Gakutei, 1817

The Yang Guifei Cherry Tree (Yokihisakura), from the series "Cherry Trees for the Katsushika Circle (Katsushika sakuratsukushi)"

The Yang Guifei Cherry Tree (Yokihisakura), from the series "Cherry Trees for the Katsushika Circle (Katsushika sakuratsukushi)"

Yashima Gakutei, 1816

View of an Afternoon Downpour at Mount Tenpo in Osaka (Osaka Tenpozan yudachi no kei), from the series "Famous Places in Osaka: Fine Views of Mount Tenpo (Naniwa meisho Tenpozan shokei ichiran)"

View of an Afternoon Downpour at Mount Tenpo in Osaka (Osaka Tenpozan yudachi no kei), from the series "Famous Places in Osaka: Fine Views of Mount Tenpo (Naniwa meisho Tenpozan shokei ichiran)"

Yashima Gakutei, 1829

The Heian Court Calligrapher Ono no Tōfū (894–966); “Calligraphy Brush” (Fude), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū)
From the Spring Rain Collection (Harusame shū), vol. 1

The Heian Court Calligrapher Ono no Tōfū (894–966); “Calligraphy Brush” (Fude), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū) From the Spring Rain Collection (Harusame shū), vol. 1

Yashima Gakutei, 1817

Red Carp Ascending a Waterfall

Red Carp Ascending a Waterfall

Yashima Gakutei, 1826

Liu Haichan (Gamma), from the series "Lives of Taoist Immortals Parodied by Courtesans - A Series of Seven (Keisei mitate ressenden, nanaban no uchi)"

Liu Haichan (Gamma), from the series "Lives of Taoist Immortals Parodied by Courtesans - A Series of Seven (Keisei mitate ressenden, nanaban no uchi)"

Yashima Gakutei, 1826

Dancing Courtesan and a Man (possibly poet Hisakataya), Two, from the pentaptych series of "Furuichi Dance Performance (Furuichi odori)" for the Hisakataya Poetry Club

Dancing Courtesan and a Man (possibly poet Hisakataya), Two, from the pentaptych series of "Furuichi Dance Performance (Furuichi odori)" for the Hisakataya Poetry Club

Yashima Gakutei, 1823

Satsuma no Fukuyorime from the Veritable Records of Emperor Montoku (Satsuma no Fukuyorime, Montoku jitsuroku), from "Twenty-four Japanese Paragons of Filial Piety for the Honcho Circle (Honchoren Honcho nijushiko)"

Satsuma no Fukuyorime from the Veritable Records of Emperor Montoku (Satsuma no Fukuyorime, Montoku jitsuroku), from "Twenty-four Japanese Paragons of Filial Piety for the Honcho Circle (Honchoren Honcho nijushiko)"

Yashima Gakutei, 1816

Lady Murasaki Sets a Bird Free from a Cage

Lady Murasaki Sets a Bird Free from a Cage

Yashima Gakutei, 1800