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Two Fan Designs: Plum Blossom and Wave by Totoya Hokkei — VisualArtsDB

Two Fan Designs: Plum Blossom and Wave

Two Fan Designs: Plum Blossom and Wave

1780–1850

Medium: Woodblock print (surimono); ink and color on paper
Dimensions: 8 5/16 x 7 3/16 in. (21.1 x 18.3 cm)
Genre: Prints
Museum: Metropolitan Museum of Art, New York, NY

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More by Totoya Hokkei

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Print

Totoya Hokkei, 1830

History of Kamakura: Enoshima Island

History of Kamakura: Enoshima Island

Totoya Hokkei, 1800

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony

Totoya Hokkei, 1800

Pillow for Women and a Bowl

Pillow for Women and a Bowl

Totoya Hokkei, 1800

Metal: Li Kui (Kin, Riki), from the series "The Five Elements of The Water Margin (Suiko gogyo)"

Metal: Li Kui (Kin, Riki), from the series "The Five Elements of The Water Margin (Suiko gogyo)"

Totoya Hokkei, 1830

The Horse Sekitoba and the General Guan Yu (Jp: Kan'u), from the series "A Series of Famous Horses (Meiba bantsuzuki)"

The Horse Sekitoba and the General Guan Yu (Jp: Kan'u), from the series "A Series of Famous Horses (Meiba bantsuzuki)"

Totoya Hokkei, 1822

Willow Bath (Yanagiyu), from the series "A Series of Willows (Yanagi bantsuzuki)"

Willow Bath (Yanagiyu), from the series "A Series of Willows (Yanagi bantsuzuki)"

Totoya Hokkei, 1823

Kintaro dreaming of his childhood

Kintaro dreaming of his childhood

Totoya Hokkei, 1829

Lady Seated by a Tokonoma Alcove

Lady Seated by a Tokonoma Alcove

Totoya Hokkei, 1829

Woman and attendant at entrance gate of Enoshima

Woman and attendant at entrance gate of Enoshima

Totoya Hokkei, 1810

Rokugo, from the series "A Record of a Journey to Enoshima (Enoshima kiko)"

Rokugo, from the series "A Record of a Journey to Enoshima (Enoshima kiko)"

Totoya Hokkei, 1833

Bijin Urashima and the Seven Fortune Beings (Shichi-fuku-jin)

Bijin Urashima and the Seven Fortune Beings (Shichi-fuku-jin)

Totoya Hokkei, 1780