Styles Genres Museums Artists Support

An open visual arts database with 825,000+ artworks, 75,000+ artists, and 750+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Land of the Pygmies (Kojin koku) by Tsukioka Yoshitoshi — VisualArtsDB

Land of the Pygmies (Kojin koku)

Land of the Pygmies (Kojin koku)

Tsukioka Yoshitoshi

1863

Medium: Woodblock print (nishiki-e); ink and color on paper
Dimensions: vertical ōban: H. 37.1 cm x W. 25.2 cm (14 5/8 x 9 15/16 in.)
Genre: Print
Museum: Harvard Art Museums, Cambridge, MA, US

Tags

Japanese

More by Tsukioka Yoshitoshi

Moon and Smoke (Enchū no tsuki), from the series One Hundred Aspects of the Moon (Tsuki hyaku sugata)

Moon and Smoke (Enchū no tsuki), from the series One Hundred Aspects of the Moon (Tsuki hyaku sugata)

Tsukioka Yoshitoshi, 1886

Ichikawa Danjūrō IX as Musashibō Benkei in The Subscription List (Kanjinchō)

Ichikawa Danjūrō IX as Musashibō Benkei in The Subscription List (Kanjinchō)

Tsukioka Yoshitoshi, 1890

Looking as if She Wants to Go for a Walk: The Fashion of a Married Woman of the Meiji Era (Yūho ga shitasō, Meiji nenkan saikun no fūzoku), from the series Thirty-two Appearances of Fashion (Fūzoku sanjūni sō)

Looking as if She Wants to Go for a Walk: The Fashion of a Married Woman of the Meiji Era (Yūho ga shitasō, Meiji nenkan saikun no fūzoku), from the series Thirty-two Appearances of Fashion (Fūzoku sanjūni sō)

Tsukioka Yoshitoshi, 1888

Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi)

Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi)

Tsukioka Yoshitoshi, 1884

Preparatory drawing of Sumoto Sakyō

Preparatory drawing of Sumoto Sakyō

Tsukioka Yoshitoshi, 1874

The Battle at Jinju during Masakiyo's Conquest of Korea (Masakiyo Sankan taiji, Shinshujo kassen no zu)

The Battle at Jinju during Masakiyo's Conquest of Korea (Masakiyo Sankan taiji, Shinshujo kassen no zu)

Tsukioka Yoshitoshi, 1863

The Two Brave Men Inuzuka Shino and Inugai Genpachi Battling on the Roof of Horyukaku (Horyukaku ryoyu tsutomu)

The Two Brave Men Inuzuka Shino and Inugai Genpachi Battling on the Roof of Horyukaku (Horyukaku ryoyu tsutomu)

Tsukioka Yoshitoshi, 1887

Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned (Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu)

Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned (Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu)

Tsukioka Yoshitoshi, 1886

Moon in the Flame from the Series One Hundred Images of the Moon (Tsuki hyaku sugata-enchūgetsu)

Moon in the Flame from the Series One Hundred Images of the Moon (Tsuki hyaku sugata-enchūgetsu)

Tsukioka Yoshitoshi, 1886

Kintaro Captures the Carp (Kintaro rigyo o torau)

Kintaro Captures the Carp (Kintaro rigyo o torau)

Tsukioka Yoshitoshi, 1885

11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"

11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"

Tsukioka Yoshitoshi, 1880

Preparatory drawing of Sakuma Dennai

Preparatory drawing of Sakuma Dennai

Tsukioka Yoshitoshi, 1868