Styles Genres Museums Artists Support

An open visual arts database with 825,000+ artworks, 75,000+ artists, and 750+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

"Where are we going, where are we going?" by Honoré-Victorin Daumier — VisualArtsDB

"Where are we going, where are we going?"

"Where are we going, where are we going?"

Honoré-Victorin Daumier

Medium: Lithograph
Genre: Print
Museum: Harvard Art Museums, Cambridge, MA, US

Tags

french

More by Honoré-Victorin Daumier

At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été

At the Deligny Baths. - The ladder at 4 p.m., plate 33 from Croquis D'été

Honoré-Victorin Daumier, 1858

A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie

A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie

Honoré-Victorin Daumier, 1845

"Careful...my friend...that animal may be a bad one!"

"Careful...my friend...that animal may be a bad one!"

Honoré-Victorin Daumier, 1858

The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes

The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes

Honoré-Victorin Daumier, 1840

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois

Honoré-Victorin Daumier, 1847

Setting Out for the Ball

Setting Out for the Ball

Honoré-Victorin Daumier, 1847

The Salesman's Hoax. – A Design Out of Fashion. "This kind of fabric has a delightful shade; Madame is the first to whom I have shown it.... all our young women are going to tear each other apart for it. What a charming design.... it would look marvellous on such an elegant form.... you absolutely need this, Madame," plate 2 from Les Carottes

The Salesman's Hoax. – A Design Out of Fashion. "This kind of fabric has a delightful shade; Madame is the first to whom I have shown it.... all our young women are going to tear each other apart for it. What a charming design.... it would look marvellous on such an elegant form.... you absolutely need this, Madame," plate 2 from Les Carottes

Honoré-Victorin Daumier, 1844

A Lady Comes on Board

A Lady Comes on Board

Honoré-Victorin Daumier

“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas

“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas

Honoré-Victorin Daumier, 1847

The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités

The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités

Honoré-Victorin Daumier, 1856

Mr. Baill

Mr. Baill

Honoré-Victorin Daumier

"The fibers fall, the man stays..."

"The fibers fall, the man stays..."

Honoré-Victorin Daumier, 1840