600–700
This mural section was part of a series of vignettes recounting the recovery of a sculpture of Shakyamuni Buddha believed to have been sponsored by a daughter of the great Indian monarch Ashoka (304–232 BCE) from a river near Yangzhou in the early fourth century. Inscriptions in rectangular cartouches (a fragment of one is visible directly below the skiff) briefly describe each scene of the narrative, which has also been passed down in canonical histories of Chinese Buddhism. The flaming jewels on the tall canopy that covers the Buddha sculpture, together with the fluttering banners that adornthe boat and are held by the assembly of monks nearby, signal the importance of the recovered sculpture and imbue the scene with a sense of celebration.