1640
Pale diagonal markings in the center of the composition are probably transfers from the texture of twill blankets used in printing. The biting of the plate was very shallow, and perhaps Rembrandt used less pressure than usual in printing.
Rembrandt van Rijn, 1630
Rembrandt van Rijn, 1650
Rembrandt van Rijn, 1655
Rembrandt van Rijn, 1641
Rembrandt van Rijn, 1646
Rembrandt van Rijn, 1634
Rembrandt van Rijn, 1636
Rembrandt van Rijn, 1656
Rembrandt van Rijn, 1606