Styles Genres Museums Artists Support

An open visual arts database with 1,000,000+ artworks, 100,000+ artists, and 1,800+ styles spanning centuries of human creativity.

Browse

Styles
Genres
Museums
Artists
Favorites

Popular Styles

Impressionism
Romanticism
Surrealism
Pop Art
Cubism
Realism

Museums

Art Institute of Chicago
MoMA
Rijksmuseum
Cleveland Museum of Art
The MET
Louvre

VisualArtsDB is free and open for everyone.

Support the project

© 2026 VisualArtsDB

Self-Portrait (Upside Down) by John Coplans — VisualArtsDB

Home
Artwork
Self-Portrait (Upside Down)

Self-Portrait (Upside Down)

Self-Portrait (Upside Down)

1992

Dimensions: 8.9 Centimeters (Measurements) × 11.4 Centimeters (Measurements) × 30.4 Centimeters (Measurements) × 13.4 Centimeters (Measurements) × 51 Centimeters (Measurements) × 40.6 Centimeters (Measurements)
Genre: Artwork
Museum: J. Paul Getty Museum, Los Angeles, CA, US

Styles

Object Record Structure: Whole Diffusion Transfer Prints

More by John Coplans

Self-Portrait

Self-Portrait

John Coplans, 1985

Body Language

Body Language

John Coplans, 1986

Self-Portrait - Interlocking Fingers, No. 1

Self-Portrait - Interlocking Fingers, No. 1

John Coplans, 1999

Self-Portrait (Legs Horizontal, No. 6)

Self-Portrait (Legs Horizontal, No. 6)

John Coplans, 1998

Self-Portrait (Hand with Buttocks)

Self-Portrait (Hand with Buttocks)

John Coplans, 1987

Standing Figure, Side View, Three Panels, no. 5

Standing Figure, Side View, Three Panels, no. 5

John Coplans, 1993

Self-Portrait (Feet Frontal)

Self-Portrait (Feet Frontal)

John Coplans, 1984

Lower Standing Torso

Lower Standing Torso

John Coplans, 1987

Self-Portrait (Knees and Hands, No. 1)

Self-Portrait (Knees and Hands, No. 1)

John Coplans, 1993

Self-Portrait (Back No. 16)

Self-Portrait (Back No. 16)

John Coplans, 1992

Standing Figure, Side View, Three Panels, no. 2

Standing Figure, Side View, Three Panels, no. 2

John Coplans, 1993

Standing Figure, Side View, Three Panels, no. 3

Standing Figure, Side View, Three Panels, no. 3

John Coplans, 1993