
Francisco de Goya creatively engaged with printmaking, producing bold and innovative compositions. This impression is a rare trial proof printed in sepia ink before publication of the series Los Caprichos, whose title translates as “caprices” or “artistic fantasies.” As one of the earliest sheets printed from the plate, it retains Goya’s subtle layers of tonal aquatint absent in later impressions. Note, for example, the slight shift in tone between the pale skin and white blouse of the woman in the foreground whose spinning, a common euphemism for sex work, is likely the subject of the artist’s elaborate critique.