
1602–1604
Mary gazes down at the angel Gabriel as he kneels reverently, like a humble messenger, delivering the news that Mary will give birth to the son of God. His multicolored wings are forced within the boundary line of the painting field, visually implying a sense of subordination. Unlike many of the paintings in the Mirror of Holiness, the Annunciation is a familiar subject in European art, but the emphases vary. The Indian version depicts her as a queen, with a crown held above her head and attendants standing by.