Persian calligraphy framed by an ornamental border of flowers, birds, and deer, from the Late Shah Jahan Album

About 100 years after the calligraphy was completed by a Persian master and embellished with gold and floral arabesques, the small page was mounted into an album for the Mughal emperor of India. Mughal artists filled the outer border with floral vines, blooming and budding with many varieties. Pairs of birds perch throughout; male and female deer relax, listening to the birdsong. The Indian artists chose to emphasize nature’s abundance and life-giving forces, whereas the Persian artists sought to achieve exquisite, gemlike refinement.<br><br>The central poem, by Ibn-i Yamin (Persian, 1286–1368), encourages the reader not to worry about unexpected calamities.