
1760–1799
The bottle features three elegantly drawn figures: a beautiful woman, a young man, and a priest. The artist used a fine-haired brush to draw these figures in colored enamel onto the porcelain bottle, which had already been given a clear glaze. A final firing fused the enamel to the form. The name derives from the port of Imari from where Japanese porcelains were shipped to other cities in Japan, China, and Europe.