
1493–1503
In his journal, Albrecht Dürer referred to this enigmatic engraving as “the Hercules,” but the image is not a typical representation of the mythological hero’s 12 labors. The subject derives from a Greek parable, where Hercules decides between a life of pleasure or one of virtue. The moral dispute plays out here as a battle between two personifications, Virtue, wielding a club, and Pleasure, lying with a satyr. Hercules’s crossroad is a copse of trees between two paths: the ascent to civilization at left (pleasure?), or the winding river to the wilderness at right (virtue?).