
1731–1741
François Boucher’s design for a fountain presents an elaborate artistic fantasy with details drawn from mythology and the natural world. Two sea creatures, half-human and half-fish hybrids known as tritons, sit in a shell basin playing a pair of conchs. In the print, Gabriel Huquier transformed Boucher’s rocky grotto into a shell niche featuring the head of the sea god, also called Triton. These designs, though fanciful, reflect a wider Enlightenment interest in the collection and study of shells. In fact, French naturalist Antoine-Joseph Dezallier d’Argenville even opened his scientific treatise on shells, La Conchyliologie, with a related print by Boucher.