
1475–1499
According to 11th-century poet Zhou Dunyi, “all people like peonies, but I alone like the lotus because it emerges from the mud unstained.” The lotus is a symbol of purity and popular among Chinese literati and in Buddhism. This vase shows lotus flowers rising from the water’s surface depicted in elegant yet simple ripples. Made in a kiln at Jingdezhen in southern China, this vase is an example of the fahua technique—decoration with raised outlines produced by squeezing clay from a tube onto the vase’s surface. Colors are applied to fill the outlines before firing.