
1520–1529
Many elite Florentine Renaissance homes had sculptures of idealized young women carrying nature’s bounty, such as this work. The motif stems from a statue by Donatello (about 1386–1466) that towered over Florence’s main public market. At home, however, the sculpture became a talisman for the family’s well-being. The city-state’s low birth rate was a serious political matter, and such a sculpture was believed to stimulate fertility while also promoting motherhood and bolstering financial success.