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Neither More Nor Less, Plate 41 by Francisco Goya — VisualArtsDB

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Neither More Nor Less, Plate 41

Neither More Nor Less, Plate 41

Neither More Nor Less, Plate 41

1799

Medium: etching and aquatint
Genre: Print
Museum: Cleveland Museum of Art

Styles

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Spain

More by Francisco Goya

El Cid Campeador spidder en anden tyr

El Cid Campeador spidder en anden tyr

Francisco Goya, 1815

Ved eleven mere end læreren?

Ved eleven mere end læreren?

Francisco Goya, 1797

Dreadful events in the front rows of the ring at Madrid, and death of the mayor of Torrejón, plate 21 from The Art of Bullfighting

Dreadful events in the front rows of the ring at Madrid, and death of the mayor of Torrejón, plate 21 from The Art of Bullfighting

Francisco Goya, 1814

Den fejrede picador, Fernando del Toro, provokerer den olme tyr med sin lanse

Den fejrede picador, Fernando del Toro, provokerer den olme tyr med sin lanse

Francisco Goya, 1815

Algun Partido Saca (He Gets Something Out Of It)

Algun Partido Saca (He Gets Something Out Of It)

Francisco Goya, 1810

Disasters of War: Barbarians!

Disasters of War: Barbarians!

Francisco Goya, 1810

Maja mod en baggrund af dæmoner (Maja)

Maja mod en baggrund af dæmoner (Maja)

Francisco Goya, 1826

Bullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open

Bullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open

Francisco Goya, 1816

She Who Is Ill-Wed Never Misses a Chance to Say No: Matrimonial Folly

She Who Is Ill-Wed Never Misses a Chance to Say No: Matrimonial Folly

Francisco Goya, 1864

Esto es malo (This is bad)

Esto es malo (This is bad)

Francisco Goya, 1810

It's a Hard Step

It's a Hard Step

Francisco Goya, 1810

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting

Francisco Goya, 1814